How Long Did It Take To Do Makeup For Interview With The Vampire
| Interview with the Vampire | |
|---|---|
 Theatrical release poster | |
| Directed by | Neil Jordan |
| Screenplay by | Anne Rice |
| Based on | Interview with the Vampire by Anne Rice |
| Produced by | David Geffen Stephen Woolley |
| Starring |
|
| Cinematography | Philippe Rousselot |
| Edited by | Mick Audsley Joke van Wijk |
| Music by | Elliot Goldenthal |
| Product | The Geffen Film Visitor |
| Distributed by | Warner Bros. |
| Release date |
|
| Running time | 122 minutes[1] |
| Country | United States |
| Language | English |
| Upkeep | $threescore 1000000[2] |
| Box office | $223.7 one thousand thousand[two] |
Interview with the Vampire is a 1994 American gothic horror film directed past Neil Jordan, based on Anne Rice'southward 1976 novel of the same name, and starring Tom Cruise and Brad Pitt. It focuses on Lestat (Prowl) and Louis (Pitt), beginning with Louis's transformation into a vampire by Lestat in 1791. The film chronicles their fourth dimension together, and their turning of ten-year-old Claudia (Kirsten Dunst) into a vampire. The narrative is framed by a present-day interview, in which Louis tells his story to a San Francisco reporter. The supporting bandage features Christian Slater, Antonio Banderas, and Stephen Rea.
The film was released in November 1994 to generally positive reviews[3] and was a commercial success. It received Oscar nominations for Best Art Direction and Best Original Score.[iv] Kirsten Dunst was additionally nominated for a Golden Globe for Best Supporting Extra for her role in the film. A stand up-alone sequel, Queen of the Damned, was released in 2002, with Stuart Townsend replacing Prowl as Lestat.
Plot [edit]
In modern-mean solar day San Francisco, reporter Daniel Molloy interviews Louis de Pointe du Lac, who claims to be a vampire. Louis describes his homo life every bit a wealthy plantation owner in 1791 Spanish Louisiana. Despondent following the death of his wife and unborn child, he drunkenly wanders the waterfront of New Orleans one night and is attacked by the vampire Lestat de Lioncourt. Lestat senses Louis's dissatisfaction with life and offers to plough him into a vampire. Louis accepts, but quickly comes to regret information technology. While Lestat revels in the hunt and killing of humans, Louis resists his instinct to kill, instead drinking animal blood to sustain himself.
Eventually, amid an outbreak of plague in New Orleans, Louis feeds on a little daughter whose mother died in the plague. To entice Louis to stay with him, Lestat turns the dying girl, Claudia, into a vampire. Together, they enhance her as a daughter. Louis has a fatherly love for Claudia, while Lestat spoils and treats her more equally a student, training her to go a merciless killer. 30 years pass, and Claudia matures psychologically simply remains a little daughter in advent and continues to be treated as such past Lestat. When she realizes that she will never abound older or get a mature woman, she is furious with Lestat and tells Louis that they should go out him. She tricks Lestat into drinking the "dead blood" of twin boys whom she killed by overdose with laudanum, which weakens Lestat, and then slits his throat. Though Louis is shocked and upset, he helps Claudia dump Lestat's torso in a swamp. They spend weeks planning a voyage to Europe to search for other vampires, but Lestat returns on the night of their departure, having survived on the blood of swamp creatures. Lestat attacks them, but Louis sets him on burn, allowing them to escape to their ship and depart.
Subsequently traveling around Europe and the Mediterranean but finding no other vampires, Louis and Claudia settle in Paris in 1870. Louis encounters vampires Santiago and Armand by chance. Armand invites Louis and Claudia to his coven, the Théâtre des Vampires, where vampires stage theatrical horror shows for humans. On their fashion out of the theater, Santiago reads Louis'south listen and suspects that Louis and Claudia murdered Lestat. Armand warns Louis to send Claudia abroad for her own safety, and Louis stays with Armand to learn about the meaning of being a vampire. Claudia demands that Louis plow a man woman, Madeleine, into a vampire to exist her new protector and companion, and he reluctantly complies. Shortly thereafter, the Parisian vampires abduct the three of them and punish them for Lestat's murder, imprisoning Louis in a bury and trapping Claudia and Madeleine in a sleeping accommodation, where sunlight burns them to ash. Armand does nothing to prevent this, but the next day he frees Louis. Seeking revenge, Louis returns to the theater at dawn and sets it on fire, killing all the vampires including Santiago. Armand arrives in time to help Louis escape the sunrise, and again offers him a place by his side. Louis rejects Armand and leaves, unable to accept Armand'due south fashion of life which involve forgetting the past and knowing Armand had allowed Claudia's murder.
As decades pass, Louis never recovers from the loss of Claudia and dejectedly explores the earth alone. He returns to New Orleans in 1988 and one night encounters a decayed, weakened Lestat, living as a recluse in an abandoned mansion and surviving on rat claret as Louis once had. Lestat expresses regret for having turned Claudia into a vampire and asks Louis to rejoin him, but Louis declines and leaves. Louis concludes his interview with Molloy, prompting Molloy to beseech Louis to make him his new vampire companion. Louis is outraged that Molloy has not understood the tale of suffering he has related, and attacks Molloy to scare him into abandoning the idea. Molloy runs to his machine and takes off, while playing the cassette tapes of Louis' interview in his car. On the Golden Gate Span, Lestat appears and attacks Molloy, taking control of the car. Revived by Molloy'southward blood, Lestat offers Molloy the choice that he "never had"—whether or not to become a vampire—and, laughing, continues driving.
Cast [edit]
- Tom Cruise as Lestat de Lioncourt
- Brad Pitt equally Louis de Pointe du Lac
- Stephen Rea equally Santiago
- Antonio Banderas every bit Armand
- Christian Slater as Daniel Molloy
- Kirsten Dunst as Claudia
- Domiziana Giordano as Madeleine
- Thandiwe Newton (credited every bit Thandie Newton) as Yvette
- Indra Ové equally New Orleans Whore
- Laure Marsac as Mortal Adult female on Stage
- George Kelly as Dollmaker
- Marcel Iureş as Paris Vampire[5]
- Sara Stockbridge as Estelle
Production [edit]
Evolution [edit]
The rights to Rice's novel were initially purchased by Paramount Pictures in Apr 1976, shortly earlier the book was published. However, the script lingered in development hell for years, with the rights being sold to Lorimar earlier finally ending up with Warner Bros.[6] Director Neil Jordan was approached by Warner Bros. to directly afterwards the huge success of his motion picture The Crying Game (1992). Jordan was intrigued by the script, calling it "really interesting and slightly theatrical", but was peculiarly interested afterward reading Rice's novel.[7] He agreed to direct on the status that he be allowed to write his own script, though he did not gain a writing credit. The themes of Catholic guilt which pervade the novel attracted Hashemite kingdom of jordan, who called the story "the nigh wonderful parable near wallowing in guilt that I'd ever come across. But these things are unconscious, I don't have an agenda."[7]
With David Geffen producing, the motion picture was given a $70 million budget, unprecedented for a motion-picture show in the vampire genre. Jordan stated that:
It's not very oft yous can brand a complicated, dark, dangerous picture show and become a big upkeep for it. Vampire movies were traditionally made at the lower end of the scale, on a shoestring, on rudimentary sets. David Geffen is very powerful and he poured coin into Interview. I wanted to get in on an ballsy scale of something like Gone with the Wind.[7]
Casting [edit]
Author Anne Rice adapted her 1976 novel Interview with the Vampire into a screenplay with French actor Alain Delon in mind for the role of Louis.[eight] Afterward, when Interview entered the casting stage, British thespian Julian Sands was championed by Anne Rice and fans of the novel to play Lestat,[9] but because Sands was not a well-known name at the time (being only famed for his operation in A Room with a View), he was rejected and the role was given to Tom Cruise. Because of his star power, Cruise received a record $10 meg salary and a per centum of the profits.[10] The casting was initially criticized by Anne Rice, who said that Cruise was "no more my vampire Lestat than Edward G. Robinson is Rhett Butler",[8] and the casting was "then baroque; it'southward almost impossible to imagine how it's going to work". She recommended a number of other actors including John Malkovich, Peter Weller, Jeremy Irons, and Alexander Godunov. She suggested that Brad Pitt and Tom Cruise switch roles, stating that "I tried for a long time to tell them that they should merely reverse these roles—have Brad Pitt play Lestat and take Tom Cruise play Louis. Of course, they don't listen to me."[11]
Eventually, Rice became satisfied with Cruise'southward performance subsequently seeing the completed film, maxim that "from the moment he appeared, Tom was Lestat for me" and "that Tom did make Lestat piece of work was something I could not run across in a crystal brawl." She called Prowl to compliment him and admit that she was wrong.[12]
Due to Rice'southward perception of Hollywood's homophobia, at ane point she rewrote the role of Louis, changing his sex to female person, in club to specifically heterosexualize the grapheme's human relationship with Lestat.[xiii] At the time, Rice felt it was the only way to become the film made, and singer-extra Cher was considered for the function.[13] A song titled "Lovers Forever", which Cher wrote along with Shirley Eikhard for the motion picture's soundtrack, got rejected as Pitt was ultimately cast for the role, though a dance-popular version of the vocal was released on Cher's 2013 album, Closer to the Truth.[14]
Originally, River Phoenix was cast for the role of Daniel Molloy (as Anne Rice liked the thought), but he died four weeks earlier he was due to begin filming. When Christian Slater was bandage in his identify every bit Molloy, he donated his entire salary to Phoenix'due south favorite charitable organizations.[15] The motion-picture show has a dedication to Phoenix after the end credits. X-twelvemonth-one-time extra Kirsten Dunst was spotted by talent scouts and was the first daughter tested for the part of Claudia.[8]
Filming [edit]
Filming took identify primarily in New Orleans and in London, with express location shooting done in San Francisco and Paris.[xvi] Louis'southward plantation was a combination of primarily Destrehan Plantation, just west[17] of New Orleans, and Oak Alley Plantation in nearby Vacherie.[xviii] The depiction of 18th- and early-19th-century New Orleans was accomplished with a combination of location shooting in the French Quarter of New Orleans and filming on a purpose-congenital waterfront set forth the Mississippi river.[xix] [20] Production then moved to London, where interior sets were constructed at Pinewood Studios.[21] The sets designed by Dante Ferretti included the interiors of Louis, Lestat and Claudia's New Orleans townhouse, Claudia and Louis's Paris hotel suite, the Théâtre des Vampires (built on Pinewood'southward 007 Stage), and the catacombs where the Parisien vampires live.[22] Shooting took place in San Francisco, mainly on the Golden Gate Span, with the external façade of Louis's hotel located at the intersection of Taylor Street, Market Street, and Golden Gate Avenue.[20] In Paris the exterior and lobby of the Opera Garnier were dressed to film Louis and Claudia'due south inflow at their hotel in Paris.
Brad Pitt admitted in a 2011 interview with Amusement Weekly that he was "miserable" while making the motion-picture show and fifty-fifty tried to buy himself out of his contract at one bespeak.[21] Pitt called the production "half-dozen-months of f---male monarch darkness" because of the almost-exclusive dark shoots, filmed mostly in London in the depths of winter, which sent him into a depression.[21] The script, which he received only two weeks prior to filming, was also a source of disappointment. He unfavorably contrasted the character of Louis which he had admired in the volume to that presented in the script:
In the volume y'all have this guy request, 'Who am I?' Which was probably applicative to me at that time: 'Am I good? Am I of the angels? Am I bad? Am I of the devil?' In the book it is a guy going on this search of discovery. And in the concurrently, he has this Lestat grapheme that he's entranced by and abhors. ... In the movie, they took the sensational aspects of Lestat and made that the pulse of the film, and those things are very enjoyable and very practiced, merely for me, at that place was just nothing to exercise—you simply sit and watch.[23]
Special effects [edit]
Visual effects were overseen by Stan Winston and his team, while the newly founded Digital Domain was responsible for creating the digital effects nether Visual Effects Supervisor Robert Legato.[24] [25] Managing director Neil Jordan was initially hesitant to use Stan Winston Studios, because they had gained a reputation for specializing in large-scale animatronics and CGI with Jurassic Park and Terminator 2: Judgment Day; Interview with the Vampire was going to require mostly makeup effects.[9] Winston designed the characters' vampire appearances and makeup effects, including a technique for stenciling translucent blue veins on the actors' faces.[26] This required the actors to hang upside downwards for xxx minutes, so that the blood would blitz to their heads and cause their veins to protrude, enabling the makeup artists to trace realistic patterns.[6]
Digital effects were used mainly to add together small details or to enhance certain concrete effects, like the burning of the New Orleans set or the burning of Louis's plantation, whereby CGI flames were imposed on a miniature of the house.[24] The most hard digital effects to illustrate were Louis and Claudia'southward transformations into vampires, which were technologically very avant-garde for the time.[26] The scene where Claudia cuts Lestat's throat was achieved by transferring from Tom Prowl bleeding from a prosthetic wound to an animatronic model designed to 'wither' as it bled out, enhanced with CGI blood.[27] Winston also sculpted the rough model for the charred remains of Claudia and Madeleine, using archival photographs of victims from Hiroshima for inspiration.[27]
Pre-screening [edit]
A rough-cutting of Interview was shown to test audiences, who according to producer David Geffen felt "there was a niggling too much blood and violence." The screenings were held over the objection of Neil Jordan, who was planning on farther paring downwardly the length of the motion picture before previewing it, but Geffen wanted to show the longer version in social club to "get a feel for what the audience wanted." Eventually virtually 20 minutes' worth of footage was either cut or re-arranged earlier the theatrical version was set.[12]
Release [edit]
Box office [edit]
Interview with the Vampire was a box-function success. The moving-picture show opened on November 11, 1994 (Veterans Day) and opening weekend grosses amounted to $36.4 million, a November record, placing it in the number i position at the US box office higher up The Santa Clause which opened with $19.iii one thousand thousand.[28] [29] Notwithstanding, some in the industry disputed the figure and the range of estimates past others were from $34 to $37 million.[30] Its opening was at that time the biggest not-summer opening and the biggest R-rated opening weekend ever.[31] In subsequent weeks information technology struggled against Star Trek Generations and The Santa Clause. Full gross in the Usa was $105 million, while the worldwide gross was $224 million, with an estimated budget of $threescore million.[32]
Critical reception [edit]
On Rotten Tomatoes the movie holds an blessing rating of 64% based on 58 reviews, with a rating boilerplate of 5.9/ten. The site'due south consensus reads: "Despite lacking some of the book's subtler shadings, and suffering from some impuissant casting, Interview with the Vampire benefits from Neil Jordan's atmospheric direction and a surfeit of gothic thrills."[33] On Metacritic the flick holds a score of 59 out of 100 based on reviews from nineteen critics, indicating "mixed or average reviews".[34] Audiences polled by CinemaScore gave the moving picture an boilerplate grade of "B+" on an A+ to F scale.[35]
![[icon]](https://upload.wikimedia.org/wikipedia/commons/thumb/1/1c/Wiki_letter_w_cropped.svg/20px-Wiki_letter_w_cropped.svg.png){kind=small} | This section needs expansion. You tin can aid by adding to it. (December 2021) |
Praise from The New York Times ' Janet Maslin[36] and the Chicago Sun-Times ' Roger Ebert[37] was tempered by negative reviews past The Washington Postal service's Rita Kempley[38] and Desson Howe[39] and Time magazine's Richard Corliss.[40]
Oprah Winfrey walked out of an advance screening of the picture only x minutes in, because of the gore and nighttime themes. She considered cancelling an interview with Tom Cruise promoting the movie, stating, "I believe there are forces of light and darkness in the world, and I don't want to be a contributor to the force of darkness".[41]
Awards and nominations [edit]
| Award | Category | Recipient | Event |
|---|---|---|---|
| 20/20 Awards | Best Supporting Actress | Kirsten Dunst | Nominated |
| Best Product Design | Dante Ferretti | Nominated | |
| All-time Costume Design | Sandy Powell | Nominated | |
| All-time Makeup | Nominated | ||
| University Awards[4] | Best Fine art Direction | Dante Ferretti and Francesca Lo Schiavo | Nominated |
| Best Original Score | Elliot Goldenthal | Nominated | |
| ASCAP Film and Television Music Awards | Top Box Office Films | Won | |
| Awards Excursion Community Awards | All-time Actress in a Supporting Function | Kirsten Dunst | Nominated |
| All-time Adjusted Screenplay | Anne Rice | Nominated | |
| Best Art Management | Dante Ferretti and Francesca Lo Schiavo | Won | |
| Best Costume Design | Sandy Powell | Won | |
| All-time Makeup & Hairstyling | Nominated | ||
| Best Original Score | Elliot Goldenthal | Nominated | |
| Honorable Mentions (The Next X All-time Picture Contenders) | Neil Jordan | Won | |
| Blockbuster Entertainment Awards | Favorite Histrion – Mystery/Thriller, On Video | Tom Cruise | Won |
| Boston Society of Moving picture Critics Awards[42] | Best Supporting Actress | Kirsten Dunst (also for Little Women) | Won |
| British Academy Film Awards[43] | Best Cinematography | Philippe Rousselot | Won |
| Best Costume Pattern | Sandy Powell | Nominated | |
| All-time Makeup and Hair | Stan Winston, Michèle Burke and January Archibald | Nominated | |
| Best Production Design | Dante Ferretti | Won | |
| British Club of Cinematographers[44] | Best Cinematography | Philippe Rousselot | Won |
| Chicago Flick Critics Clan Awards[45] | Best Supporting Actress | Kirsten Dunst | Nominated |
| Most Promising Actress | Won | ||
| Chlotrudis Awards | Best Supporting Actress | Nominated | |
| Dallas–Fort Worth Film Critics Association Awards | Best Supporting Actress | Nominated | |
| Fangoria Chainsaw Awards | Best Studio/Big-Budget Film | Nominated | |
| All-time Actor | Tom Cruise | Nominated | |
| Best Supporting Actor | Antonio Banderas | Won | |
| All-time Supporting Actress | Kirsten Dunst | Won | |
| Best Screenplay | Anne Rice | Nominated | |
| All-time Soundtrack | Elliot Goldenthal | Nominated | |
| Best Makeup Effects | Stan Winston | Won | |
| Faro Island Film Festival | Best Movie | Neil Jordan | Nominated |
| Best Role player | Tom Cruise | Nominated | |
| Gilt Earth Awards[46] | All-time Supporting Extra | Kirsten Dunst | Nominated |
| All-time Original Score | Elliot Goldenthal | Nominated | |
| Golden Raspberry Awards | Worst Screen Couple | Tom Prowl and Brad Pitt | Won[a] |
| Hugo Awards | All-time Dramatic Presentation | Neil Jordan (director) and Anne Rice (screenplay/novel) | Nominated |
| International Horror Guild Awards[47] | Best Film | Won | |
| MTV Picture show Awards | All-time Film | Nominated | |
| All-time Male Performance | Brad Pitt | Won | |
| All-time Breakthrough Performance | Kirsten Dunst | Won | |
| Most Desirable Male | Tom Cruise | Nominated | |
| Brad Pitt | Won | ||
| Christian Slater | Nominated | ||
| Best On-Screen Team | Tom Cruise and Brad Pitt | Nominated | |
| Best Villain | Tom Prowl | Nominated | |
| Nastro d'Argento | Best Production Design | Dante Ferretti | Won |
| European Silver Ribbon | Neil Jordan | Nominated | |
| National Guild of Film Critics Awards[48] | All-time Cinematography | Philippe Rousselot | Nominated |
| Saturn Awards | Best Horror Moving picture | Won | |
| Best Director | Neil Jordan | Nominated | |
| Best Actor | Tom Cruise | Nominated | |
| Brad Pitt | Nominated | ||
| All-time Performance by a Younger Actor | Kirsten Dunst | Won | |
| All-time Costume | Sandy Powell | Won | |
| Best Make-up | Stan Winston and Michèle Burke | Nominated | |
| Best Music | Elliot Goldenthal | Nominated | |
| Sci-Fi Universe Magazine | Best Horror Film | Won | |
| Young Artist Awards[49] | Best Performance by a Youth Actress Co-Starring in a Moving-picture show | Kirsten Dunst (likewise for Fiddling Women) | Won |
Year-end lists [edit]
- quaternary – Sandi Davis, The Oklahoman [fifty]
- 6th – David Stupich, The Milwaukee Journal [51]
- Pinnacle 10 (listed alphabetically, non ranked) – Steve Murray, The Atlanta Periodical-Constitution [52]
- Top 5 runners-up (not ranked) – Scott Schuldt, The Oklahoman [53]
- Pinnacle 10 runner-ups (non ranked) – Janet Maslin, The New York Times [54]
- Honorable mention – Mike Clark, USA Today [55]
- Honorable mention – Glenn Lovell, San Jose Mercury News [56]
- Honorable mention – Betsy Pickle, Knoxville News-Spotter [57]
- Honorable mention – Dan Craft, The Pantagraph [58]
- 1st worst – John Hurley, Staten Isle Advance [59]
- 1st worst – Jeff Simon, The Buffalo News [60]
- Dishonorable mention – William Arnold, Seattle Postal service-Intelligencer [61]
Home media [edit]
The moving picture was released on VHS on Nov 21, 1995, and LaserDisc on June 6, 1996,[62] DVD in 1997 and on Blu-ray Disc on October 7, 2008.[63]
Soundtrack [edit]
The film'southward musical score was written past Elliot Goldenthal and received an Oscar nomination for Best Original Score. The score opens with the Catholic hymn Libera Me slightly rewritten to reverberate Louis'due south grapheme. The opening line "Libera me, Domine, de morte æterna" ("Save me, Lord, from eternal death") was changed to "Libera me, Domine, de vita æterna" ("Relieve me, Lord, from eternal life").
"Sympathy for the Devil" was performed past Guns Northward' Roses. This was the band's last major release earlier the departure of Slash and Duff McKagan.
Sequel [edit]
Well-nigh a decade after this film, an adaptation for the third book in the serial, The Queen of the Damned, was produced and distributed in one case again by Warner Bros. Cruise and Pitt did not reprise their roles as Lestat and Louis. Many characters and important plotlines were written out of the flick, which actually combined elements of The Vampire Lestat with The Queen of the Damned. The pic was negatively received past critics, and Rice dismissed it completely as she felt the filmmakers had "mutilated" her work. During pre-product, Rice had pleaded with the studio not to produce a motion picture of the book just yet every bit she believed her readers wanted a pic based on the second book in the series, The Vampire Lestat. Rice was refused the cooperation of the studio.[ commendation needed ]
In February 2012, a film accommodation of The Tale of the Body Thief, the quaternary volume in the serial, entered development with Brian Grazer and Ron Howard's film production company, Imagine Entertainment. It was reported that screenwriter Lee Patterson was going to pen the screenplay. Notwithstanding, Rice's son, Christopher, apparently had drafted a screenplay based on the novel that was met with praise from those involved in the developmental stage. Rice after confirmed that artistic differences that were beyond those involved resulted in the dismissal of the project in April 2013.[64]
In August 2014 Universal Pictures caused the rights to the entire Vampire Chronicles series. Alex Kurtzman and Roberto Orci were named as producers, and the deal included the aforementioned screenplay for The Tale of the Body Thief written by Christopher Rice.[65] [66]
A new picture adaptation of the book was written by Josh Boone and was announced in May 2016, with Boone suggesting histrion Jared Leto play the role of Lestat.[67] In November 2016, all plans for a theatrical reboot were scrapped as Rice appear she had regained the rights to her novels and intends to create a television receiver series starting with The Vampire Lestat.
Television series [edit]
On June 24, 2021, AMC appear a television accommodation of Interview with the Vampire, giving a serial order consisting of eight episodes. The series is created by Rolin Jones who is expected to executive produce alongside Marker Johnson, Anne Rice, and Christopher Rice.[68]
See also [edit]
- Vampire films
Notes [edit]
- ^ Tied with Sylvester Stallone and Sharon Rock for The Specialist.
References [edit]
- ^ "INTERVIEW WITH THE VAMPIRE (eighteen)". British Board of Moving-picture show Nomenclature. November 16, 1994. Retrieved May thirty, 2013.
- ^ a b Interview with the Vampire (1994) at Box Office Mojo Retrieved May 30, 2013
- ^ "Interview with the Vampire". Rotten Tomatoes . Retrieved May 25, 2011.
- ^ a b "The 67th University Awards (1995) Nominees and Winners". oscars.org . Retrieved August v, 2011.
- ^ Nathan Southern (2015). "Marcel Iures - Biography - Movies & TV". Movies & TV Dept. The New York Times. Archived from the original on September 29, 2015. Retrieved March iii, 2016.
- ^ a b Anthony Hogg (November eleven, 2014). "xx Things You Probably Didn't Know Most the 'Interview with the Vampire' Picture show, Office 1". vamped.org. Retrieved June 25, 2018.
- ^ a b c "Interview with a Vampire managing director Neil Jordan: I had a great fourth dimension making this movie, simply there'southward a night Cosmic guilt underneath". Belfast Telegraph. November xi, 2014. Retrieved June 25, 2018.
- ^ a b c Katherine Ramsland (Dec 22, 2010). Anne Rice Reader. Random House Publishing Group. pp. 170–. ISBN978-0-307-77563-4.
- ^ a b Anthony Hogg (Dec 26, 2014). "20 Things You Probably Didn't Know About the 'Interview with the Vampire' Movie, Role 2". vamped.org. Retrieved June 25, 2018.
- ^ Robyn Carney (2002). "Cinema Year Past Twelvemonth:1894-2002". Dorling Kindersley. p. 853.
- ^ Martha Frankel (January 1, 1994). "Anne Rice: Interview With the Writer of Interview with the Vampire". Movieline. Retrieved June 25, 2018.
- ^ a b Judy Brennan (September 21, 1994). "Rice's About-face: Cruise is Lestat: After Screening 'Interview with the Vampire', Author Lauds His Work". Los Angeles Times . Retrieved June 25, 2018.
- ^ a b Benshoff, Harry Thousand. (1997). "Monsters in the cupboard: homosexuality and the horror picture show". Manchester Academy Press. ISBN0-7190-4473-1.
- ^ Cher On 'Closer to the Truth': I Took Some Chances on This Album . Billboard.com, June 19, 2013. By Phil Gallo.
- ^ Alan W. Petrucelli (September 29, 2009). Morbid Marvel: The Disturbing Demises of the Famous and Infamous. Penguin Publishing Group. pp. 41–. ISBN978-1-101-14049-ix.
- ^ Interview with the Vampire End Credits. Geffen Pictures. 1994.
- ^ "Destrehan Plantation". Destrehan Plantation . Retrieved June iii, 2019.
- ^ Erin Z. Bass (Oct 4, 2013). "Movies Filmed on Louisiana Plantations". Deep Due south Magazine. Retrieved November 30, 2017.
- ^ Commentary past Director Neil Jordan (DVD). Warner Abode Video. 2008.
- ^ a b "Film locations for Interview with the Vampire". film-locations.com. Retrieved November 30, 2017.
- ^ a b c Mike Scott (September 24, 2011). "Brad Pitt says 'Interview with the Vampire' was a 'Miserable' Experience". The Times Picayune.
- ^ Commentary by Manager Neil Jordan. Warner Dwelling Video. 2008.
- ^ EW Staff (September xv, 2011). "Brad Pitt on This Week'due south Cover: A frank, funny, uncensored interview almost his life and career". Entertainment Weekly. Retrieved November 30, 2017.
- ^ a b "Interview with the Vampire". digitaldomain.com. Retrieved December 12, 2017.
- ^ Commentary with Managing director Neil Jordan (DVD). Warner Bros. Home Video. 2008.
- ^ a b Commentary with Managing director Neil Jordan (DVD). Warner Abode Video. 2008.
- ^ a b In the Shadow of the Vampire - The Making of Interview with the Vampire (DVD). Warner Brothers Home Video. 1994.
- ^ Natale, Richard (November 14, 1994). "Love at First Bite: 'Vampire' Tears Into Box Office : Movies: Warners picture show looks to be the fourth largest debut ever. 'Santa Clause' sleighs into the No. 2 spot with a solid take". Los Angeles Times . Retrieved Dec 22, 2010.
- ^ "Meridian opening weekends of November". Daily Diversity. November 15, 1994. p. 12.
- ^ Klady, Leonard (November 15, 1994). "Playing the numbers". Daily Variety. p. 3.
- ^ Mendelson, Scott (May 27, 2022). "Box Part: Tom Cruise'southward 'Top Gun: Maverick' Nabs Record $19 Million Thursday". Forbes . Retrieved May 27, 2022.
- ^ "Interview with the Vampire (1994)". Box Role Mojo.
- ^ "Interview with the Vampire (1994)". Rotten Tomatoes . Retrieved April 23, 2022.
- ^ "Interview with the Vampire: The Vampire Chronicles Reviews". Metacritic. Retrieved January xvi, 2017.
- ^ "Cinemascore :: Movie Title Search". December 20, 2018. Archived from the original on December 20, 2018. Retrieved July 28, 2020.
- ^ Maslin, Janet (Nov 11, 1994). "Pic REVIEW: INTERVIEW WITH THE VAMPIRE; Rapture and Terror, Bound by Blood". The New York Times. Archived from the original on Nov 14, 2010. Retrieved Apr 17, 2017.
- ^ Ebert, Roger (Nov xi, 1994). "Interview with the Vampire movie review (1994)". RogerEbert.com. Archived from the original on June 2, 2013. Retrieved Jan i, 2021 – via Chicago Lord's day-Times.
- ^ Kempley, Rita (November 11, 1994). "Interview With the Vampire". The Washington Postal service. Archived from the original on May 5, 1997. Retrieved Jan 1, 2021.
- ^ Howe, Desson (November fourteen, 1994). "Interview with the Vampire". The Washington Post. Archived from the original on November 11, 2012. Retrieved Dec 22, 2010.
- ^ Corliss, Richard (November 21, 1994). "Picture palace: Toothless: Interview with the Vampire falls flat, despite Tom Prowl". Time. Archived from the original on January 22, 2011. Retrieved December 22, 2010.
- ^ "Cruise's Vampire Turns Off Oprah - She Walks Out". Orlando Sentinel. Oct 20, 1994. Archived from the original on June 25, 2018. Retrieved June 25, 2018.
- ^ "BSFC Winners: 1990s". Boston Society of Film Critics. July 27, 2018. Retrieved July 5, 2021.
- ^ "BAFTA Awards: Moving picture in 1995". BAFTA. 1995. Retrieved September sixteen, 2016.
- ^ "Best Cinematography in Feature Film" (PDF) . Retrieved June 3, 2021.
- ^ "1988-2013 Award Winner Archives". Chicago Motion-picture show Critics Association . Retrieved August 24, 2021.
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External links [edit]
- Interview with the Vampire: The Vampire Chronicles at IMDb
- Interview with the Vampire at Box Office Mojo
- Interview with the Vampire at Rotten Tomatoes
- Interview with the Vampire at Metacritic
Source: https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film)
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